1)How did you choose the kind of project you designed?
I have been obsessed with Knitcircus’s gradient colors since I first laid eyes on them. They lend themselves beautifully to shawls. So when Jaala approached me to create a design for the collection a shawl was the first thing that came to mind. I had seen a similar stitch pattern in a museum I visited in Denmark last April, and when the yarn arrived for the design I immediately set to work swatching versions of the stitch pattern to see what worked best.
2)What was the biggest challenge of designing this project?
Getting anything else done. I had so much fun knitting this one that I pretty much neglected all of my other responsibilities.
3)What was your favorite part of the process?
Watching each color emerge from the gradient. I loved seeing the different color combinations as the gradient mixed with the solid colored yarn
4)Your favorite thing about the finished piece?
I actually like the back of this design as much as the front. The stitch pattern looks different on the reverse, but just as interesting, so I think of the shawl as reversible. It was unexpected, but as the piece started to grow I kept stopping to admire the back as well as the front. I think this is due to the use of reverse stockinette on the right side rows.
Susanna IC has built her reputation on beautifully-designed shawls, and has had patterns published in many leading knitting magazines, including Twist Collective and Wool People. She designed the stunning Vernice Shawl for our Fall Collection: in the first of a series, she shares her inspiration and design process for us in a mini-interview.
How did you choose the kind of project you designed?
I wanted to create a smaller, one skein shawl with some fun textures throughout; something that would be quick to knit but still interesting to work on, a perfect gift project. Of course, this being a Knitcircus project, the design also had to play well with beautiful gradient yarns.
What was the biggest challenge of designing this project?
The inspiration for Vernice came from the brilliant colors of the skein, which reminded me of the changing seasons, and the design progressed easily from there. I wanted to work with interestingly textured lace stitches that would reflect the colors and textures of autumn foliage. The biggest challenge came while trying to decide which color to start with.
What was your favorite part of the process?
While the more difficult decision had to do with which color to work with first, the red or the blue, the color progression was also my favorite part of the design process. In the end, I decided to start with the blues to reflect the color of clear sunny sky and to finish with the reds that look much like autumn leaves.
Your favorite thing about the finished piece?
I am very happy with the way the textured stitches interact with each other, creating interesting shapes throughout the lace border. I also like how versatile the size of this crescent is: it can be worn around the shoulders as a traditional shawl, yet at the same time the elongated shape makes it possible to wear open like a long scarf.